2/15/2023 0 Comments Now and then![]() However, after only two days of recording, all work on the song ceased and plans for a third reunion single were scrapped. In March 1995, the three surviving Beatles began work on "Now and Then" by recording a rough backing track that was to be used as an overdub. The two other songs on the other tape were " Grow Old with Me" and "Now and Then". The songs on one of the tapes included the eventually completed and released " Free as a Bird" and " Real Love". In January 1994, Paul McCartney was given two tape cassettes by Lennon's widow Yoko Ono that included home recordings of songs Lennon never completed or released commercially. For the most part the verses are nearly complete, though there are still a few lines that Lennon did not flesh out on the demo tape performance. The lyrics are typical of the apologetic love songs that Lennon wrote in the latter half of his career. He recorded the unfinished piece of music in a demo form at his home at the Dakota Building, New York City, 1978. “Circles” has a slightly country-sounding guitar lead, giving the song some personality.Lennon wrote "Now and Then" in the late 1970s. It’s the most uptempo song on Now and Then, and the passionate chorus has an uncharacteristically strong melody. “Get a Hold of You” features a surprisingly fast drumbeat and bassline. It doesn’t sound like anything else on the record and it’s a shame that it is merely presented as an interlude. “Bed Now (Interlude)” follows the unimpressive “Bed Song” with 50 seconds of gentle acoustic strumming and Klatt spacily singing, “Can we go to bed now?” over and over. It’s also yet another Track where the verse and chorus melody have essentially no separation and no contrast.Ī handful of tracks on the album’s back half show a bit of musical life. There was a moment of mistaken subversion where Klatt sounds like she’s singing, “Why don’t you come inside me?” That would’ve been surprising, but no, it’s just a somewhat slurred version of the phrase, “Why don’t you come and save me?” “Lonely” begins encouragingly, with a catchy, airy synth figure, then proceeds to only use it two more times in the track. “Save Me” employs 1980s new wave tropes, including reverby guitars and subtle synths. Song after song has the shape of pretty good pop-rock but is missing the hooks or idiosyncrasies that would lift them beyond that basic shape. That’s how it is for most of Now and Then. There’s a bridge where most of the instruments pause, but it’s followed by a too-simple guitar solo that goes nowhere before returning to the chorus. The chorus features a more active guitar riff, but Klatt’s vocal melody and tone don’t change from the verses. The verses are simple, with a pulsing bassline and chiming guitars. The recent single “Halloween” is more of the same. ![]() “Nothing Yet” is a song with the construction of a decent pop song but none of the elements that grab a listener’s ears. Once the bridge ends, the band repeats the chorus four times and then goes straight to an uneventful outro. The song’s bridge finds Klatt altering the vocal melody, but nothing else changes in the rest of the music. Her vocals are good, but the melody isn’t particularly interesting, and there’s nothing of character going on in the instruments, either. Then the electric guitar mainly drops out to let Klatt’s singing take center stage. It begins with simple acoustic guitar chords quickly doubled on electric guitar. What they don’t have are the songwriting chops. Eliza & the Delusionals have almost all the elements in place to be an enjoyable throwback band. Sadly, though, Now and Then largely fails to recapture the pleasures of “Just Exist”. Their sound is bright and easygoing, and they’re not afraid to turn up the guitars now and then. Eliza & the Delusionals are a solid group of musicians, and Klatt is a strong singer. They’re a group with a couple of guitars, a bass, drums, and only occasional synth appearances. That seems accurate, to the extent they largely eschew the hip-hop and electronic elements that have filtered into mainstream pop music since the early 2000s. ![]() The album’s press materials mention that Eliza & the Delusionals are steeped in 2000s nostalgia. The pandemic halted the band’s momentum but allowed them time to finish Now and Then, their debut full-length. The song is an effervescent piece of pop-rock, with frontwoman Eliza Klatt singing passionately about moving on from a breakup. It racked up millions of plays on various streaming services and snuck onto radio charts in scattered global locations. Australia’s Eliza & the Delusionals made a small splash in 2020 with their single, “Just Exist”.
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